Richard Gadd debuts “Half Man” on HBO: A gritty new comedy series

Richard Gadd, known for his Emmy-winning show Baby Reindeer, is back with a gritty new series called Half Man premiering on HBO, HBO Max, BBC iPlayer, and BBC One this April 23, 2026. Gadd takes on a whole new role in this six-part limited series as Ruben, a violent psychopath, alongside Jamie Bell who plays Niall, exploring their intense and complex relationship set in 1980s and present-day Glasgow.

The story delves into the traumatic experiences of the characters over three decades, emphasizing themes of masculinity, trauma, and obsession. Produced by Mam Tor Productions and Thistledown Pictures, the series showcases Gadd’s talent as a creator, writer, executive producer, and lead actor, truly demonstrating his deep investment in the project.

Half Man opens in 1980s Glasgow, where Niall and Ruben are brought together in a shared bedroom when their mothers move in together. This unlikely pairing sets the stage for a volatile and codependent relationship, marked by violence, secrecy, and deeply buried emotions. As the story unfolds, viewers witness how the characters struggle to grapple with their past traumas and evolving identities while their bond spirals into darker and more unsettling territory.

The supporting cast features Neve McIntosh as Lori, Niall’s mother, and Marianne McIvor as Maura, Ruben’s mother, adding depth to the narrative. The younger versions of Niall and Ruben are portrayed by Mitchell Robertson and Stuart Campbell, capturing the essence of their formative years in a compelling way.

Directed by Alexandra Brodski and Eshref Reybrouck, Half Man pushes the boundaries of storytelling, dissecting themes of broken masculinity, male trauma, and the destructive nature of emotional repression. While the series doesn’t shy away from intense moments of violence and sexuality, it also offers a nuanced exploration of human contradictions and complexities.

Critics have praised the show for its raw and honest portrayal of deeply flawed characters, challenging viewers to confront uncomfortable truths about the nature of violence, loyalty, and self-discovery. As Gadd himself has stated, the ending of the series leaves room for interpretation, urging audiences to grapple with the complexities of the human psyche on their own terms.

In the world of Half Man, nothing is black and white, and the characters’ moral ambiguity adds layers of depth to the storytelling. Gadd’s willingness to embrace discomfort and explore the darker corners of human experience sets this series apart, making it a compelling and thought-provoking watch for those ready to engage with its challenging themes.