Filming ‘The Pitt’: How the Camera Crew’s Scrubs Made Logistics Amazing

HBO Max’s ‘The Pitt’ takes the viewer on a real-time journey through the fictional Pittsburgh Trauma Medical Center’s emergency room and the lives of Dr. Robby and his team. The Director of Photography, Johanna Coelho, reveals that the key to the show’s realism is the static set, allowing viewers to mentally map the Emergency Department.

In order to navigate the space with precision, the crew had to choreograph every movement carefully. Coelho explains that they eliminated floor lighting and C-stands to keep the ground clear. Custom onboard lights and pole-operated lights were used to maintain mobility and flexibility on set. They even created custom diffusion frames and cups to soften the lighting in certain situations.

Production designer Nina Ruscio designed the set before the scripts were written, enabling seamless integration of the story with the environment. Over 50 shades of white were tested to find the perfect paint color that would complement all skin tones in the diverse cast.

Reflective surfaces posed a challenge on set, but the crew’s smart solution was to don hospital scrubs, blending into the background seamlessly and reducing reflections. Coelho, who hails from France, has worked closely with the executive producer to set the visual tone of the show, allowing the camera to move freely and capture the action seamlessly.

Multiple shots are taken per scene, ensuring the best dynamic storytelling. The large-format Arri Alexa Mini LF cameras are used for both the A and B cameras to bring characters close while maintaining the cinematic feel. Coelho’s behind-the-scenes videos on Instagram offer a glimpse into the controlled chaos of filming ‘The Pitt.’