Exploring the True-Crime Saga of Violence and Indigenous Alaskan Lore in Blood & Myth

Blood & Myth is a Hulu documentary released on Sept. 4 that delves into a unique true crime story involving an Indigenous Alaskan actor named Teddy Kyle Smith. The documentary explores the case where Smith claims he was possessed by little people when he shot two brothers, Paul and Charles Buckel, in 2012. Fortunately, both brothers survived. Smith, known for his role in the 2011 film On the Ice, is currently serving a 99-year prison sentence after being found guilty of first-degree attempted murder in 2014 by a jury.

The incident took place in a cabin near the Squirrel River, 40 miles from Kiana, Alaska, while Smith was on the run following his mother’s death. Smith believed the Buckel brothers were sent by iñukuns, little people with mystical powers that are said to inhabit the Alaskan tundra. Despite no evidence of foul play in his mother’s death, Smith feared he would be a suspect and thus ended up in a dangerous situation.

Blood & Myth features the first interview with Smith since his arrest, providing insights into his perspective on the events. Directed by Kahlil Hudson, a member of the Tlingit tribe from Juneau, Alaska, the documentary sheds light on iñukun lore and includes interviews with law enforcement and Indigenous Alaskans familiar with Smith.

In Alaskan Indigenous folklore, iñukuns are believed to be nomadic beings of diminutive stature who reside in remote areas of the tundra. Some view them as supernatural entities with shamanic abilities, although interpretations vary. Some suggest they may be a lost or uncontacted tribe living apart from modern society rather than supernatural beings.

Smith recounted encountering iñukuns during his time on the run, describing feeling possessed and hearing voices while seeking refuge in a cabin by the Squirrel River. Believing the hunters were linked to the iñukuns, he acted out of fear, causing harm to the Buckel brothers. Despite his actions, Smith maintains that he experienced encounters with iñukuns speaking to him in their own language.

The documentary also touches on the potential existence of iñukun structures found by archaeologists in the Alaskan mountains, sparking discussions about their authenticity and significance. The narrative challenges viewers to consider the complexities of Indigenous beliefs and cultural practices in relation to modern understanding.

Smith, now serving his sentence in prison, reflects on his experiences, expressing regret for his actions and seeking redemption through his faith. He advocates for a reconnection to Native American culture and traditions, emphasizing the importance of preserving language, customs, and respect for the land and elders.

As viewers contemplate the intricate details of Smith’s story and the cultural backdrop surrounding iñukun lore, they are prompted to explore the intersections of spirituality, identity, and justice in the Alaskan landscape. Blood & Myth serves as a compelling exploration of a remarkable true crime narrative, inviting audiences to engage with the complexities of Indigenous perspectives and the power of storytelling.